Acid can you jack

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Expected 23 Nov Preorder. The Explosions Hip Drop Pts. Featuring the phenomenal vocals of Juanita Brooks, the writing and production skills of Eddie The first acid track is the last one here. Phuture DJ Pierre, Spanky, Herb, and Marshall Jefferson created "Acid Tracks" in late , holed up in their apartments against the harsh Chi-town winter, abusing a piece of technology that was a commercial flop.

The Roland bassline synthesizer sounded so wack when put to its intended use that no self-respecting guitarist would touch it. So it was cheap, and that's how Pierre, Spanky, and Herb got a hold of it. There's a MIDI bleep lurking in the guts of the thing, and when the trio cranked the volume and began twisting the knobs the acid house noise came out. It's kind of hard to describe-- a robot bullfrog imitating a car alarm played on an octave hopping keyboard-- but by now everyone knows it.

Jefferson told them to slow it down 10bpm to , and showed them how to get it pressed to vinyl. By that point the name had been changed from "In Your Mind" to "Acid Tracks", as it had colloquially become known as "Ron Hardy's acid track.

He had played the track on reel-to-reel tape at the Box to ecstatic response, and his kingmaking abilities allowed acid to thrive. As creation myths go, it's a pretty good one. One the one hand, "Acid Tracks" is the only acid track anyone really needs. They're all variations on that bassline, essentially. The machine does a lot of the randomization for you: Take the batteries out and there's a whole new bassline waiting for you the next time you turn it on.

On the other hand, with the right fingers on the knobs, there's room for endless creative variation.